A Cobblestone Walkway of Broken Chords: Piecing Together Mine Own History of Music, Part I

“Music expresses that which cannot be put into words and that which cannot remain silent.” — Victor Hugo

"Sky Pilot" by Virgil C. Stephens, www.musicalpainter.com

“Sky Pilot” by Virgil C. Stephens, http://www.musicalpainter.com

Anyone who knows me for even a few hours is aware of how ingrained music is in my life. I wish I could say that I meant creating music, but that is another project, and perhaps a discussion for another day. Here, I speak of my lifelong passionate appreciation of, and sometimes fanatic devotion to, the music created by other artists. Lately, I’ve been pondering the paths upon which my musical quests have taken me. My own Mellifluous Origin Story, so to speak. Specifically, I’ve been thinking about my earliest memories as a “fan”, even before I could have known what that meant, and about the way in which my tastes and interests in music, artists, genres, movements grew and progressed. And perhaps, in the end, reflecting on where I’ve come from might give me some insight into where I’m headed, hmmm?

(Origin Stories, You Say?)

My oldest memory is one that has stuck with me since childhood, always stored closely away for quick recollection or quiet reflection. Appropriately so, too, since that is precisely what a memory is, and is For. Time and experience have inevitably shaped and even, with subtlety or not, perhaps altered this memory, but that is not what’s important. With reminiscences, truth and accuracy do well to fall by the wayside of emotion and essential substance.

In this memory — and thereby, of course, once upon a time in my life — I am a toddler, probably no more than two years of age. I am sitting in my car seat, which is resting on the floor of the living room of our first home, a modified mobile home with custom additions and improvements built by my Pops. A Redneck Mansion, if I may.

redneck mansion

It is strange for me to think back to moments like this and remember my parents when they were younger than I am now. Those people were KIDS! And they were raising a human! But not just any human.

Ryan Toddler


What happened?!  So many things...

What happened?! So many things…

But I digress…

I am sitting in my car seat, staring in awe and wonder at the thick, bowed-glass screen of our giant wooden box of a television. On the screen towers Billy Idol. Blonde, spiked hair. Signature snarl. Punk rock attitude. Rebel Yell. I was enthralled, and I, too, wanted MORE… But, being an infant, I had neither the means nor the experiential knowledge necessary to seek out and acquire more, and so my development fell by the wayside. (Two uses of that expression in one essay! Not bad…)

From here, for a time, I entered a period known as The Dark Ages… Not much is known of The Dark Ages, because it was so very Dark.

Dark Ages Artwork by jonasdero.deviantart.com

Dark Ages Artwork by jonasdero.deviantart.com

My next major development, as far as my fragmented memory can recall, would foreshadow a significant coexistence throughout my musical travels between music and film. By fourth grade, my lifelong buddy Brandon and I had met and bonded over mutual weirdness, a proclivity towards the fringe, and a shared obsession with Billy the Kid. At the time, of course, this primarily manifested in a fixation with the Young Guns movies, and by extension the Bon Jovi soundtrack for Young Guns II. As we blasted “Blaze of Glory” and “Dead or Alive” from that sweet, sweet early 90s boom box and fashioned “I’ll Make Ya Famous” pistol stamps and collages in art class, we were convinced that Bon Jovi and the like were the epitome of bad-ass rock musicians. Later, Denis Leary would set us straight, but for now, fuckin’ “Never Say Die” was where it was AT!

From there, Brandon and I discovered music through movies we, occasionally in ignorance and naivety, attached our sensibilities to, such as Cool World and Wayne’s World. (I sense a pattern?) Not all was for naught, however. Because, in the very least, those movies introduced us to David Bowie, Ministry, Queen, RHCP, Ugly Kid Joe, Alice Cooper…actually, the Wayne’s World soundtrack is still pretty fuckin’ good!

But I digress…

None of this could have prepared Brandon and I — or the world at large, as history would prove — for what would happen next in our euphonious lives. The early 90s found us and all of rock ‘n roll on the precipice of something that was never intended to indelibly mark and reshape culture and society the world over. But nothing significant or culturally affluential ever is. I speak, of course, about the tidal wave of social hysteria and upheaval that was Nirvana.


Growing up in the Kirtland/Fruitland area of San Juan County, New Mexico, Brandon and I — and everyone else, really — were always, by default, a bit behind the aesthetic curve from the “rest of the world.” Occasionally, one could discover something “new” and intriguing by accident, or one of us would bring something intriguing back from The City and share it with anyone with a curious disposition. (Did I forget to mention I was raised in a 1940s dust bowl? Just kidding.) But beyond fortune and chance, you really just had to know what to look for and laboriously seek it out. Fortunately, times have changed for the Four Corners and culture. I mean, they got a show from Lamb of God last year, for Christsakes…

(Not to mention MervDezert Banditz, Ill Methods, and any other local musical acts.  Leave a link for your group or project in the comments!)

I vaguely recall the circumstances by which we came to discover Kurt and the Boys. It had to have been sometime in 1992, and I would imagine this was a brisk fall morning before the daily drudgery of our first year in middle school. The cool, dry high desert breeze…the changing of the leaves…the wafting, charcoal scent of smoke as local drunken rednecks set their property on fire doing “landscaping”…Brandon, skinny bean pole of a boy, bristling with frenetic energy, shoving a CD into my stiff, icy fingers. “Hey dude, my sister listens to this. Check it out!”



On the cover, bathed in aquatic blue highlights, a naked baby, arms and legs splayed in an awkward floating pose, coaxed by a dollar bill on fishing line. Nobody but no one should have any trouble immediately conjuring their own specific memory of this album at that conspicuously pervasive, instantly recognizable photograph. But, I’ve been surprised by ignorance before, so just to be certain, I speak of course of the watershed landmark album Nevermind. If you don’t know or understand the cultural, artistic, sociological, and historical significance of this album, I would like to introduce you to the internet. Pretty sure you’re using it RIGHT NOW.

This only captures about 30% of the Internet's Awesome!

This only captures about 30% of the Internet’s Awesome!

In any case, I will never forget the ingenuous awe and precipitous exhilaration that overcame me during that first listen. I can barely stand to hear “Smells Like Teen Spirit” these days, a bitter casualty of hackneyed pop culture oversaturation. But, the first time that pervasive and cataclysmic riff hit my ears was fucking LIFE-ALTERING! Who ARE these feral, deranged beasts? Where do creatures like this come from? What is this frenetic sensation arising from my soul? Why are they so…so fervent, so excitedly zealous? And HOW can I get MORE?!

To be continued… In the meantime, sound off in the comments! What was your first significant musical experience, or other formative moment? Did Nirvana and Nevermind carry a significant weight for you? How far back can you remember, or what is your earliest recollection? Let Us hear from you!

© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2014. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.


2 thoughts on “A Cobblestone Walkway of Broken Chords: Piecing Together Mine Own History of Music, Part I

  1. Pingback: How The Ryan Writes, Part I: The Harangued Warrior | Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan

  2. funny thing about nirvanas album I don’t remember where we first found it. But one thing that does stick out very much in my mind from that Period Of time was you and I walking back from gym class that was held at the auxiliary gym connected to the high school after just hearing about Kurt Cobain’s death.I still wonder if your vana would have gotten better if they would have released more albums or if it was best for things to have gone the way they did I guess it’s the whole burn out or fade away question.and I wait with bated breath for the second part of this musical journey that will take us to The A B Q to Rome and to “the band room”!


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