Fuck You, Government.

I’ve been trying since February to get help from the government with my mental health bullshit that’s been rearing it’s ugly, destructive head most of my life. Since then it’s been nothing but bureaucratic red-tape clusterfuck inanity. After another extended period of no communication on their end, I called today and found out benefits were denied nearly a month ago, but nobody bothered to send me a letter. Social service programs are specifically designed for cases like this, where mental illness symptoms are a significant detriment to successful interaction with society. As in, unless I get the help I need and start fixing these issues, I am liable to flip out and start physically harming hapless, brain-dead members of society. This is why motherfuckers bring a shotgun to work one day.

Fuck you, Government. >:[

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Misanthropic Rant Hinged on a Gypsy Dream (No Dharma Here)

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I hate people. It’s a horrible thing for an aspiring Buddhist to feel. But, I hate people. I hate their busted faces, and I hate their bullshit opinions, and I hate having to put up with their constant barrage of inane moronic stupidity. But, most of all, I hate that they are goddamn everywhere and that I have to live among them. Because SOCIETY.

SO. The plan.

1.))) Make some money.
2.))) Learn how to save money.
3.))) Purchase a caravan.
4.))) Trick that bitch out, ultimate gypsy wanderlust road warrior style.
5.))) Plug in the Gogol Bordello discography for perfect rubber trampin’ ambiance.
6.))) Live on the road and/or in glorious hermetic seclusion the fuck away from everyone as much as possible.
7.))) Work on my “attitude problem.”

This may take some time, but I’m in it for the long haul! Also, I should maybe move the “attitude problem” thing up a few notches in priority. Maybe…

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* I’ve been doing this whole #LetsBuseyThisPlaceUp thing on the Books of Face and that Instacrap thing. It is…ridiculous. 🙂

© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

Started From Blue Velvet, Now We Here… (Gallery)

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I can’t stop making these and polluting social media with them. I don’t care if I’m the only one who thinks it’s funny!

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For reasons that I’m not concerned enough about to reflect deeply upon, I started out doing this with a clear Lynchian theme…

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…and, after burning out on that material, I was compulsed to move on to other imagery…

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You’re right, though. The joke kind of does begin to lose it’s appeal…

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© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

Clipping ‘The Wire’

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Image by Donald Smith

I only discovered the brilliance that is David Simon’s The Wire a few years ago, long after the series had concluded its run on HBO. I had heard of the show, of course, but made the presumptuous assumption that it was just another basic cop drama.

It is anything but. It is a show about a city, about life, about the basic struggles of righteousness and morality and existence, all told through the eyes of the city of Baltimore. “Balmer” is, essentially, the entire character of the show.

I took my time with each season, savoring it, reflecting upon and often rewatching those moments over and over. An hour inside David Simon‘s Baltimore is some leaden, taxing shit, and one would do well to take a moment here and there between experiences. I’ve been putting off viewing the final season for well over a year now. Not so much out of fear of finding out how it ends, but more out of mourning for an end that I don’t want to acknowledge is coming.

Now, as I sit on the precipice of experiencing the series finale, I am afraid of how it will all end. I know a little bit about this world, so I know better than to expect things to be left with any serendipitous sense of closure. Hell, we have already lost so much…and that is part of what’s frightening. Even what is left isn’t on any sort of a course for happily ever after.

And then, once it’s done…what does the show say now, in light of what Baltimore — and the entire country — is facing today?

Better get to it, then…

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Fan art via Pixgood.com

© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

All Mike wanted was a Pepsi…

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If ever there was a tale to illustrate the need for widespread reform in how mental illness is handled in our society, it is the story of Mike.  All Mike wanted was a Pepsi. Just ONE Pepsi.

Next thing he knows, poor Mike is locked away in an institution.  Experience a first-hand account of Mike’s trials and tribulations below…

Sometimes I try to do things and it just doesn’t work out the way I want it to.
I get real frustrated and I try hard to do it and I take my time and it doesn’t work out the way I want it to.
It’s like I concentrate real hard and it doesn’t work out.
Everything I do and everything I try never turns out.
It’s like I need time to figure these things out.
But there’s always someone there going,

Hey Mike:
You know we’ve been noticing you’ve been having a lot of problems lately.
You know, maybe you should get away and maybe you should talk about it, maybe you’ll feel a lot better.

And I go:
No it’s okay, you know I’ll figure it out, just leave me alone I’ll figure it out.
You know I’ll just work by myself.

And they go:
Well you know if you want to talk about it I’ll be here you know and you’ll probably feel a lot better if you talk about it.

And I go:
No I don’t want to I’m okay, I’ll figure it out myself and they just keep bugging me and they just keep bugging me and it builds up inside and it builds up inside.

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So you’re gonna be institutionalized
You’ll come out brainwashed with bloodshot eyes
You won’t have any say
They’ll brainwash you until you see their way.

I’m not crazy!
(In an institution!)
You’re the one who’s crazy!
(In an institution!)
You’re driving me crazy!
(In an institution!)
They stuck me in an institution
Said it was the only solution
To give me the needed professional help
To protect me from the enemy — myself.

I was in my room and I was just like staring at the wall thinking about everything.
But then again I was thinking about nothing.
And then my mom came in and I didn’t even know she was there she called my name.
And I didn’t even hear it, and then she started screaming: MIKE! MIKE!

And I go:
What, what’s the matter?

And she goes:
What’s the matter with you?

I go:
There’s nothing wrong mom.

And she goes:
Don’t tell me that, you’re on drugs!

And I go:
No mom I’m not on drugs I’m okay, I was just thinking you know, why don’t you get me a Pepsi.

And she goes:
NO you’re on drugs!

I go:
Mom I’m okay, I’m just thinking.

She goes:
No you’re not thinking, you’re on drugs! Normal people don’t act that way!

I go:
Mom just give me a Pepsi, please.
All I want is a Pepsi, and she wouldn’t give it to me!
All I wanted was a Pepsi, just one Pepsi, and she wouldn’t give it to me!
Just a Pepsi.

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They give you a white shirt with long sleeves
Tied around you’re back, you’re treated like thieves
Drug you up because they’re lazy
It’s too much work to help a crazy.

I’m not crazy!
(In an institution!)
You’re the one who’s crazy!
(In an institution!)
You’re driving me crazy!
(In an institution!)
They stuck me in an institution
Said it was the only solution
To give me the needed professional help
To protect me from the enemy — myself.

I was sitting in my room and my mom and my dad came in and they pulled up a chair and they sat down, they go:
Mike, we need to talk to you.

And I go:
Okay what’s the matter?

They go:
Me and your mom have been noticing lately that you’ve been having a lot of problems.
You’ve been going off for no reason and we’re afraid you’re gonna hurt somebody.
We’re afraid you’re gonna hurt yourself.
So we decided that it would be in your interest if we put you somewhere.
Where you could get the help that you need.

And I go:
Wait, what are you talking about, we decided!?
My best interest?! How can you know what my best interest is?
How can you say what my best interest is? What are you trying to say, I’m crazy?
When I went to your schools, I went to your churches,
I went to your institutional learning facilities?! So how can you say I’m crazy?

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They say they’re gonna fix my brain
Alleviate my suffering and my pain
But by the time they fix my head
Mentally I’ll be dead.

I’m not crazy!
(In an institution!)
You’re the one who’s crazy!
(In an institution!)
You’re driving me crazy!
(In an institution!)
They stuck me in an institution
Said it was the only solution
To give me the needed professional help
To protect me from the enemy — myself.

It doesn’t matter, I’ll probably get hit by a car anyway…

Suicidal Tendencies released their ninth studio album, 13, in March 2013. “Institutionalized” can be heard on their self-titled 1983 debut full-length.

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© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

Porcelain Strawberry (Part III)

From Kurt Vonnegut: Drawings

From Kurt Vonnegut: Drawings


What follows is a selection from The Sacred Lost Tomes of The Ryan, the brief and terrible history of which is glossed over here and here.  “Porcelain Strawberry” is the second piece of short fiction I can recall having ever written, not including whatever crap I may or may not have been churning out in my adolescence, and will be presented here in several parts over the next few days.  It was initially written for an assignment in a creative writing class at the University of New Mexico, and was influenced and informed by Nicholson Baker’s novella The MezzanineBut I won’t tell you HOW…that’s for you to discover, intrepid reader!  Go here to read Part I, and here for Part II.  BEHOLD, the ecstatic majesty of Part III, below:

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“Oh my god, I love David Lynch!” I exclaim. “I can’t wait until they put the rest of Twin Peaks on DVD, which they better do…otherwise…” She grins at me, her expression one of admiration or perhaps growing attraction.

“Yeah, Twin Peaks was pretty cool, but my personal favorite is Mulholland Drive. I have no idea what the hell is going on most of the time, but it’s a great movie anyways. I’m not a lesbo or anything, but Naomi Watts is sooo hot!” My mind shifts briefly to the sex scene in the film before returning to the conversation.

“Well, maybe we could watch it together sometime, and I could explain what I got out of it. I think I have most of it figured out, except I’m still struggling with the blue box and the monster behind Winky’s.” Her eyes glow as her smile grows even bigger, and I think I notice her cheeks redden ever so slightly.

“I’d like that. Aren’t you going to drink your coffee?”

Eventually the conversation turns to body modifications when I mention the silver stud piercing the middle of her tongue.

“Do you have any other piercings or tattoos?” She answers by pulling down the top hem of her jeans, which fit her form nicely, revealing a colorful tattoo of a faerie sitting atop a magical mushroom. It is on the part of her left hip just underneath the curve of her belly, inward from the subtle, sexy protrusion of her hip bone, a spot I confess to her is extremely sensitive and ticklish on my own body. I also catch a glimpse of a silver, crescent-shaped stud, the ball on the end glimmering like a diamond, poking out from her navel before she smoothes her top back down.

“I like your belly-button ring,” I tell her, a hint of anxious seduction escaping with my voice. “I think that’s a really sexy piercing for a girl to have.”

“What about you, what kind of body art do you have?” I respond by turning in my chair and pulling up the back of my shirt, displaying the grinning, demonic painted faces that adorn my shoulder blades.

“Ooh, scary! I must confess, I have a sick fascination with jesters and trickster figures, as well. They’re so creepy, but in an oh-so-appealing way.”

“I have my nipples pierced, too, twice in each one,” I tell her, lifting up my shirt again to show them off. She pretends to wince in pain, but I can tell she is fascinated.

After finishing our coffee we decide to go for a drive, chatting and flirting over the trip-hop sounds of Tricky pulsing rhythmically from my speakers. The music grooves perfectly with the coming twilight as the sun begins to descend in a magnificent pool of brilliant reds, yellows, oranges, and purples, the texture of the billowy clouds designing the sky made all the more pronounced by the sun’s rays. I tell her I feel as though I’ve known her since before forever, and she confesses to feeling the same. I spot a Baskin Robbins near the next intersection, and we pull in to share a cup of Daiquiri Ice.

We end up at my place, and I apologize for the mess as I hold the door to my apartment open for her. She smiles mischievously, pulling me inside and pressing her lips to mine.   She is wearing lip gloss, or was, most of it worn off by now, but the faint taste of strawberries still lingers. We stumble over furniture I had forgotten was there as we make out way toward my room at the back of the apartment, grabbing and pulling feverishly at one another’s clothes while kissing deeply, passionately, lovingly.

“I don’t usually do this,” she breathes into my ear as I nibble at her neck.

“Me neither,” I gasp, but can’t help wondering, Why would she do this now, here, with me?

I notice right away that she’s not turned on by the same things as Kate was. I try to recall some of the articles I’ve skimmed in waiting rooms or while browsing magazine racks, giving advice on how to become the perfect lover. As we explore one another, she makes the appropriate muffled moans and occasional ecstatic cries, signifying that she’s having a good time, but she seems distant, disconnected somehow. Each time our eyes meet, she closes hers, or looks away. I wonder to myself how many times she’s done this, with how many different people, and as if she’s reading my mind, she answers.”

“This is my first time,” she moans between frantic breaths. “You feel so good.” I smile and relax, burying myself in the moment and letting my fear and paranoia wash away in a sea of pleasure.

“This is my favorite part,” I whisper as we lie spooning afterward. She coos in agreement, snuggling closer and pressing her face into my chest. I kiss the top of her head lightly, and suddenly it is morning, the warm dawn sun streaming in broken rays through the shade covering my window and painting fragmented orange designs on the floor below.

                “Oh my god, I have to be to work in ten minutes,” she exclaims, jumping up, her eyes frantic as she searches the floor for her clothes. “Quick, get up! I need a ride!”

Image by John Sloan

Image by John Sloan

To be continued…


© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

Porcelain Strawberry (Part II)

Image by Bill Vernon

Image by Bill Vernon


What follows is a selection from The Sacred Lost Tomes of The Ryan, the brief and terrible history of which is glossed over here and here.  “Porcelain Strawberry” is the second piece of short fiction I can recall having ever written, not including whatever crap I may or may not have been churning out in my adolescence, and will be presented here in several parts over the next few days.  It was initially written for an assignment in a creative writing class at the University of New Mexico, and was influenced and informed by Nicholson Baker’s novella The MezzanineBut I won’t tell you HOW…that’s for you to discover, intrepid reader!  Go here to read Part I.  BEHOLD, Part II, below: 

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I’m sitting in my bedroom a few days later, staring at the blank wall and trying not to think, when the phone rings. It takes me a minute to retrieve myself from the mountains and valleys of cracked paint before I can answer it. I’m delighted to hear her delicate voice on the other end.

“Hey, it’s me! Listen, this new piece I’m working on is driving me absolutely mad, and I really could use some normal human time. What do you say we get that cup of coffee? I know a great place. They have this cinnamon and cherry mix, you wouldn’t think it would be good, but just wait until you try it!” I wrinkle my nose at the thought of cherries, but accept her invitation anyway. Maybe it won’t be so bad.

The directions to her place are simple and I have no trouble finding it, but I circle around the block a few times anyways to kill time, not wanting to appear too eager. Finally I feel that it’s been long enough, and pull up to her apartment, a duplex with a small, yellowing lawn nearly overrun by ragweed and dandelions. As I walk towards the caged front door, I notice a dead sparrow lying at the edge of the walkway, its eye sockets seeming to stare at me regardless of their hollowness. There are bite marks around the head and wings, and I hope the cat belongs to the neighbors.

“Hey there, pretty lady,” I say with a hint of absurdity when she opens to door. She smiles, apparently satisfied with my meager attempt at humor, and grabs a woven green handbag before stepping out and shutting the door behind her.

“So, how have you been?” I ask, bringing up my hand to fiddle with a loose button on the western-style black shirt she is wearing over a deep purple tank top. I’m dismayed to find what appears to be a clump of shed cat hair clinging to the shirt, and brush it away, wiping my hand on my faded denim jeans and trying not to appear too disgusted. I think she’s saying something about the painting she’s been struggling with, but I’m too preoccupied with the thought of the cat to pay attention. We begin down the walkway, and I move my hand to the small of her back, letting it rest there lightly.

“Better now, though,” she replies, crossing her arms and leaning into me. “I’m going crazy spending all my time in that cramped apartment breathing paint fumes. It’s good to have someone to take a break with.” I ever-so-slightly tighten my grip around her and lead her to my truck, a beat-up brown Toyota that I can’t help but apologize for.

“Don’t be silly,” she says, jabbing me playfully in the ribs with her elbow. “I’m not the kind of girl who cares about nice cars and money.” I smile down at her, catching the scent of strawberries and cream as my nose brushes past her hair.

“Mmm, you smell delicious,” I say, and she smiles, cuddling underneath my arm. For a fleeting moment I can’t believe how easy this has been, and a slight twinge of anxiety begins to creep up inside of me, one of those “too-good-to-be” sensations. I also can’t help but think about other guys she might have been with – is she so trusting and open with every jerk-off who approaches her? The feeling of anxiety begins to turn into resentment, but I quickly push it down, suffocating it.

At the coffee shop I let her order for me, forgoing my usual bitter, black coffee in favor of the cherry-cinnamon concoction she so highly recommends. She asks for them grandé with a double shot of espresso, and once served we sit at a tiny table for two in the corner near a bookshelf, under a large print of Dali’s La Persistenza della Memoria. She catches me studying the minute details of the painting, and asks what I think of it. This reveals that we hold a shared fascination for his work, and I discover that she owns a print of my favorite Dali painting, Idylle Atomique et Uranique Melancolique. We are oblivious to the endless stream of self-important art neuveux intellectuals entering and leaving the café as we sit together in our own little world.

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To be continued…


© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

Porcelain Strawberry (Part I)

Image by kanryuzonas104

Image by kanryuzonas104

What follows is a selection from The Sacred Lost Tomes of The Ryan, the brief and terrible history of which is glossed over here and here.  “Porcelain Strawberry” is the second piece of short fiction I can recall having ever written, not including whatever crap I may or may not have been churning out in my adolescence, and will be presented here in several parts over the next few days.  It was initially written for an assignment in a creative writing class at the University of New Mexico, and was influenced and informed by Nicholson Baker’s novella The MezzanineBut I won’t tell you HOW…that’s for you to discover, intrepid reader!  Behold, Part I:

Image ripped from Isabella

Despite its glorious capacity for mindless consumerism, the mall for me holds next to no value save for one redeeming quality – it is an ideal place to watch people. For the most part I have no use for the human virus plaguing this otherwise richly beautiful planet, but I enjoy watching them now and again, to remind myself of my superiority. The pleasure I receive from witnessing them ignorantly going about their meaningless lives exceeds most any other joy in my life.

I’m sitting in the bustling food court, during the late lunchtime rush, eating the grilled chicken and avocado sandwich I brought from home, and am delighted to find that the chaos at this hour is, as always, magnificent. This place is a churning pit composed of various antagonistic compounds that have no business existing within the same sphere. They assemble here at or around the sociologically predetermined time, bouncing and weaving feverishly amongst one another, to stuff themselves stupid with globs of congealed grease disguised as chicken and pork, bleeding slabs of meat purported to be 100% beef accompanied by sides of fried dripping wet with vegetable oil, and an endless array of processed cheese products.

The doomed offspring of this middle-class ocean of dead dreams and extinguished possibilities gather salivating at the technicolored candy shop near Pacific Sunwear, their noses pressed to the glass, their grubby little hands smearing it with greasy fingerprints that the pocked-faced teenager behind the counter comes to wipe off every hour or so. On the other side of the court, hear Burger King, a table-full of guffawing frat boys have gathered for a break on their weekly scout-out for vulnerable and impressionable high school girls. In the corner across from me sit a couple with matching lip piercings deep in conversation, the face of the guy reading a mixture of frustration and concern while the expression of his partner is showing of distance and irritability. Next to me I notice three elderly women sporting puffy crowns of bluish-white hair gossiping about someone named Lois, who is apparently not present to defend herself. I scratch the back of my head, smooth down my shaggy, dirt-blonde hair, and roll my eyes at this sea of meaningless drivel.

All of this bustling action and delightfully absurd entertainment, and yet the only thing I can really focus my full attention on is the girl casually walking the edge of the mess, her long, chalky fingers trailing along the wall near to where my table sits. She is a dark angel, a succubus, a materialization of all my longing. Her jet-black hair falls lightly around her face, the tips of her long bangs curving ever so slightly under her delicate chin. Her aqua-blue eyes shine brilliantly in contrast to the soft, porcelain skin that surrounds them, her slender neck leading down to smooth, milky-white shoulders that barely peek out from under a wooly black sweater. Every so often her eyes shift around the court uncomfortably, but for the most part she gazes at nothing, her thoughts lost in some other world far away from this one. I look at her and my stomach tightens at the thought that she’s in the same space with me. She is the only individual, the only thing real in this faceless crowd of forgotten identity, and I curse them for overlooking her. I watch her tracing lines in between the tiles of the wall as she walks, back and forth, back and forth, and my heart aches with longing to hold her, to touch my lips softly to her temple, to let her make me feel at home.

After a moment I work up the courage to approach her, running my hand across the stubble beginning to sprout up on my chin as I slowly, deliberately make my way towards where she dances absently with the wall. The noise and bustle of the food court has all but disappeared. I feel the eyes of everyone in the room following me, half-chewed strands of Cajun noodles dangling from their mouths as they pause to obsess over my every move. I take deep breaths, trying to calm my nerves, going over and over again in my mind what I’m going to say when I reach her. Hey there, pretty lady … Hello beautiful, how’s about I buy you a … Hi, my name’s Corey, what’s yours … So, I couldn’t help but notice you were … Um, nice shoes, wanna fuck?

“Um…hey. How’s it going? Are you…waiting for someone?” I curse myself for the tremor in my voice, the obvious hesitation, the pauses in between words. You’re going to fuck this up, my mind yells at itself. You’re going to lose her before you even have her! Fortunately, she doesn’t seem to notice. Time has grinded to all but a halt, and I see her hair flip in slow motion, like a wave, as she turns to face me. My stomach jumps into my throat, my heart nearing explosion, when her eyes look up to meet mine. I feel as though she is gazing into my soul, and I shift uncomfortably, averting my eyes, afraid of what she might see down in there.

“No one in particular,” she says to me, her voice bright, sweet, and delightfully feminine. I notice the neon lights flooding the food court glistening off her lips as she speaks, and I wonder if they’re naturally moist or if she’s wearing lip gloss, and if so, what flavor. I realized the moment that has passed in silence, and frantically search for something to say.

“So, do you…come here often?” This escapes my lips before I have a chance to realize how terribly cliché and predictable it is. Idiot! Loser! Is this how people start a conversation?! Her eyes widen amusedly as she notices my exasperation seeping through the look on my face, which I try hard to control, and she giggles, her lashes fluttering…is it seductively?

“I used to,” she replies. “I usually wouldn’t be caught dead in a mall…they’re so, I dunno, typical…but they have got the best baked ziti at that pizza stand over there! I can’t help it, I’m addicted.” I open my mouth and take a breath, preparing to tell her about the article I read in Mother Jones, a study of the conditions of fast food restaurants, but hesitate. My stomach curls at the thought of what goes into the food here, but I don’t want to gross her out, and so I keep it to myself. If things go well, I’ll have to remember to ask her to brush her teeth before I can kiss her.

“Anyways, I’ve been stuck in my tiny apartment painting for days,” she continues, “and I needed a break, so here I am!”

“Wow, so you’re an artist!  That’s really cool. I’ve always wished I could draw, but I’ve never been any good at it.” I’m surprised at the ease I’m starting to feel in her presence, and when I notice how comfortable she’s making me, I find myself drawn ever more strongly to her. I reach out to stroke the sleeve of her sweater, and am glad when she doesn’t pull away.

“Listen, what d’you say we get out of here,” I say, smiling to mask my fear at asking her out. “I know a great coffee shop.” This is a lie, and I search my mind, trying to think of the nearest non-corporate café around.

“Well, that sounds nice, but I sort of have to be somewhere. Maybe I can take a rain check?” I make no attempt to mask the disappointment I feel at this, but give her my phone number, glad that I might still have a chance.

Image by Flammietta

Image by Flammietta

To be continued!


© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

How To Probably Not Rage Murder the Record Store Clerk and His Dumb F***ing Face

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We were about to start a war with some hapless record store clerk because he was giving Us fuckin’ attitude. Fortunately, a sweet and soothing voice came forth from the ether like a punch in the dick and growled “LET IT GO.”

I am learning to heed the demands of the version of my Baby, Jenn, that lives inside my head, especially when “she” is reminding me that Our Crazy doesn’t have to be THAT fucking guy’s problem, and his bullshit certainly doesn’t have to be Our problem…despite what the Dark Crow Man may say… 😉

Now, We just have to deal with this teenaged kid outside Whole Foods whining like a little bitch about losing some dumb-ass hipster points game with his yuppie dad and Tasmanian devil little sister.

Headphones plus (the) Melvins x 12 = SERENITY NOW!!!

© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.

A Catastrophic Purge of Torment Into Oblivion: The Body & Thou Lay Burden Upon Existence

The Body Thou Hatred Collab CD Cover

I awoke this morning with a powerful craving for fresh vinyl. I knew not why; I knew not for which specific piece of pressed wax I was searching. I knew only that there was The Calling, and that I needed to, once again, comb through my personal back-catalogue of music and film, identify some long-suffering hangers-on with which I could be convinced to part, and run that shit on down to the local Zia Records. STAT. This was a mission from the gods, that much was certain — but WHICH ONES?!

As it would turn out, the answer to that question had been heralded by the semi-apocalyptic swath of late winter/early spring storm weather to blanket the landscape of our scattered and scarred homelands. For our purposes here in SoAz, that storm manifested itself in a weighted, churning torrent of DOOM clouds, oppressive blankets of humidity, and the merciless, cleansing deluge brought down in tears from the heavens. So. Much. GLOOM. The relatively sunny disposition of the morning which greeted me this day would belie the terrible discovery I was soon to make.

Though guided by the hand of Beelzebub himself, no sooner had I dropped of my trade items to be reviewed and processed than I found myself standing before the looming magnificence of Zia Oracle’s “New Vinyl” stand. There she was, the Virgin Mother of our Megalomaniacal Saviour Herself, Mary “Joe’s Girl” Christ, in stunning portraiture. In one of those innumerable moments of chance and destiny, I nearly turned away disinterested to go peruse some dusty, forgotten corner of the used albums section, when a loathsome, sickly feeling in the very cockles of my loins urged me to halt.

The Body Thou Hatred Collab Front Cover

I had missed something.

There, in the upper left-hand corner of the LP I had glazed over cursorily, just above the Blessed Mother’s somber profile, an unassuming annular adornment.

The Body Thou Hatred Collab Sticker

The Body
Thou
You, Who I Have Always Hated
Thrill Jockey

MOTHER OF GOD.


TheBody-Band

Since their accursed formation in 1999, Portland by-way-of Boston experimental DOOM-sludge titans The Body have been steady straight dropping split LPs, collaborations, EPs, and full-lengths at a frighteningly manic pace, with no less than four massively dense albums released since the dawn of 2014 alone. It was late Summer 2014 that I first became aware of the terrifying, savagely introspective, soul-scarring music that heavily-armed duo Chip King and Lee Buford create. I was researching several bands unknown to me in preparation for an upcoming weekend of riffage and torment at Tucson’s own premier extreme metal festival, Southwest Terror Fest. My expectations were appropriately heightened by the information I had gleaned from online articles concerning the corrosive brand of punishment offered by the impossibly weighty pair, and I have no problem admitting that I was physically and psychologically terrified as I pressed play on that first track.

My expectations were NOT disappointed.

The Body’s primary goal as evidenced by the music they create would appear to be complete psychological catharsis and cleansing through anguish. Vocalist/guitarist Chip King does not “sing” or “scream” in any of the traditional metal, or otherwise musical, senses. Instead, he emits desperate, agonizing wails like those of a feral, tortured beast in the final, bloody throes of a savage death. After looping his guitar through an intricately arranged network of sample machines, processors, and vintage Sunn amps, the final product emitted from his monolithic stack of speakers is the biting, burdensome wall of tone and distortion of metal fragmented, deconstructed, pounded unrecognizable, and then reassembled as something wholly new and terrible. Drummer Lee Buford rises to the task of not only matching but accentuating this indescribably dense patchwork of misery and toil by pounding his percussives with the calculated ferocity of an ironworker forging weaponry from the very molten core of existence. Every seismic beat serves to propel the already catastrophic purge of metallic fury into utter oblivion.

Thou band performing live

I am, admittedly and unfortunately, quite a bit less versed in the history and lore of Southern-Fried, NOLA-bred warlords of DOOM, Thou. This is an oversight that will most assuredly be remedied post-haste. However, hailing from the birthplace of such legendary names in the world of miserable, loathsome, down-tuned riff-laden DOOM-sludge as EYEHATEGOD, Crowbar, Soilent Green, and Goatwhore, the scornful bastards that make up this modern-day harbinger of destruction have clearly paid attention in class, and have most assuredly benefited from rolling up and smoking their homework. Similar to their comrades in Hatred, Thou is likewise prone to a dizzying pace of sonic proliferation, having put out an impressive assortment of DOOM-product since their 2005 inception to rival that of The Body.

Illustration by Megan Acosta, unceremoniously ripped from Meat Mead Metal!

Illustration by Megan Acosta, unceremoniously ripped from Meat Mead Metal!

The Body and Thou first came together in collaboration early last year on the deceptively titled Released from Love EP. This four track work was discreetly birthed into the world as a vinyl-only limited edition album, and is now being included with the digital and compact disc releases of You, Who I Have Always Hated for the first time in those formats. While not a necessary requirement for anyone approaching these two bands with fresh ears, Released does serve as an outstanding introductory work or companion piece to this new full-length. The remaining six hereto unreleased tracks that make up Hated stand fine enough on their own, but the immensely cathartic if exhausting experience will certainly leave any proper extreme metal aficionado parched for more, and Released will do well as a small but welcome offering to that void.

As for Hated itself. There is NONE heavier. Nearly as soon as my turntable stylus touched down between the freshly-pressed grooves of side one, I was overcome with the crushing, monolithic wall of leaden sound that is “Her Strongholds Unvanquishable.” FUCK SAKES. My chest hurts, and I can’t BREATHE… While the four tracks on Released certainly provided worthy evidence of the terrible power at hand through the unity of these two savage forces, it is clear that their horrifying tools of battery were honed to maximum barbaric supremacy for this record.

The Body Thou Hatred Full Artwork

From the very beginning, it is evident that the collaborative energy conjured by the unity of these two forces of subjugation serves to push both entities together into wholly new, more extreme, and ultimately more savage and unrestrained territory. The demon hordes called forth by Thou, in their sluggish, plodding might, at first may seem to overpower and bury the more atmospheric, expansive framework for which The Body is known. To assume this would be a mistake. More attuned ears will have no trouble hearing The Body’s maelstrom of nihilistic desperation weaving serpentine throughout the massively thunderous plodding surge set forth by Thou.

Throughout most of the album’s six gargantuan tracks, it is clear that the whole is by far greater than the sum of its parts. Even an initially stumbling foray into “covers” territory results in a transformative, revitalized section of creativity that does well to turn the original — NIN set-list mainstay “Terrible Lie” — into a new and largely unrecognizable permutation. While the re-imagining does not quite hit with the same sparse weight of “Coward” (the final track on Released) — itself a complex, forlorn retelling of an emotional bit of songwriting by the late Vic Chestnutt — it nevertheless gives the record a welcome draw-spring for the industrial metal undercurrent that The Body bring to their creations, smoothing the stitches between the two entities welded in hatred on Hatred.

Elsewhere, the two bands make effective use of dissonance and forced coalescence to accentuate their brand of torment on the thunderously severe “He Returns to the Place of His Iniquity,” and make up for the perhaps intentionally pretentious title of “Beyond the Realms of Dream, That Fleeting Shade Under the Corpus of Vanity” by imbuing that track with the ruinous, cataclysmic rage of a vengeful scourge unloosed. By the time we reach the apocalyptic final refrain of “Lurking Fear,” we are so thoroughly pummeled, worn and threadbare, that whatever lurking beast to come next can only be greeted with welcoming arms — if only they had not already been torn from our torso and used to mercilessly beat us into submission.

The Body Thou Hatred Collab Back Cover


© Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Ryan Scott Sanders and Dharma and Belligerence: Mad Rants from a Free-Range Buddhist Hooligan with appropriate and specific direction to the original content.